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Articles by David Hepworth

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If you’ve never been to a Word In Your Ear evening before, this is how it works. 

November 7, 2015 David Hepworth 0

It usually takes place at The Islington, which is helpfully located in Islington, not far from Angel tube station and King’s Cross. The Islington is […]

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Pictures from last night’s WIYE 80s at the Islington

July 7, 2015 David Hepworth 0

    We had a corking time at the Islington last night with special guests Clare Grogan, who was talking about her time in Altered […]

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Great press for next Tuesday’s guests

March 28, 2015 David Hepworth 0

  In next Tuesday’s show at The Islington Mark Ellen and I are talking to a couple of veterans of music writing in the sixties, both of […]

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Talking Sandy Denny with Ashley Hutchings, Simon Nicol and Mick Houghton

March 14, 2015 David Hepworth 0

Thanks to everyone who came to Monday’s recording at the Slaughtered Lamb where we talked to Mick Houghton about his excellent new biography of Sandy […]

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Word In Your Ear 2014 season climaxes with Danny Baker, Smash Hits, Quantick and more

December 8, 2014 David Hepworth 0

We’ve had brilliant words in your ear over the past few weeks with Danny Baker, whose highlight was an impression of Tommy Cooper which few […]

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One small step for Word In Your Ear, one giant stride for Monday nights in the pub

September 23, 2014 David Hepworth 0

Last night’s show was our best yet. Thanks to the people at the Islington we managed to get the visuals working and so we we could put on […]

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Stevie Nicks biographer Zoe Howe added to our Ben Watt live podcast recording

September 13, 2014 David Hepworth 0

We’re delighted to say that Zoe Howe‘s joining us at our next Word In Your Ear Podcast recording at the Islington on September 22nd.  She’ll be […]

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A Quiet Word with Ben Watt at the Islington

September 8, 2014 David Hepworth 0

Ben Watt’s worn a variety of hats in the last thirty years: half of Everything But The Girl, solo artist, deejay, producer, club owner and […]

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An evening at the Islington with Simon Napier-Bell

August 25, 2014 David Hepworth 0

We had fun talking to Simon Napier-Bell at the Islington last week. You can hear the results as a podcast here or via this clip. […]

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An indiscreet podcast with Simon Napier-Bell – if you don’t want to miss any of it, you’d better be there

July 20, 2014 David Hepworth 0

There’s not a lot you can say about pop music that isn’t true. Whatever your prejudices you’ll find in the history of pop music the evidence […]

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The Word Podcast

Word In Your Ear
Word In Your Ear

David Hepworth, Mark Ellen and chums cast an occasionally jaundiced eye over the goings-on in the worlds of music and entertainment.

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Miles Hunt of the Wonder Stuff – ‘I’d rather make people laugh than applaud’
byMark Ellen, David Hepworth and Alex Gold

Miles Hunt is on tour in 2026 – solo, with Vent 414 and the Wonder Stuff – and looks back here at his 40 years on stage, which involves …

 

… stifling hecklers the John Lydon way: “the exits are clearly marked!”

 

… what percussion does to your ears

 

… “when a tout’s selling your £3 ticket for £50 you know you’ve made it!”

 

… keytars, flat drums, guitars without headstocks: things that are JUST PLAIN WRONG!

 

… seeing Slade at Birmingham Town Hall when he was 10

 

… why the Size Of A Cow was “the moment a lot of our audience thought we’d sold out”

 

… Hunter S Thompson, Charles Bukowski: books that work on a tour bus

 

… when drummers ‘cramp up’

 

… and why he won’t perform Dizzy with Vic Reeves.

 

Order Miles Hunt and Wonder Stuff tickets here: https://thewonderstuff.co.uk/tour/

Help us to keep the conversation going: https://www.patreon.com/wordinyourear


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Miles Hunt of the Wonder Stuff – ‘I’d rather make people laugh than applaud’
Miles Hunt of the Wonder Stuff – ‘I’d rather make people laugh than applaud’
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Pet Shop Boys at 40, missing folk star found! & rock stars’ childhood bedrooms
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From Dylan to Chappell Roan, pop’s 60-year obsession with Brigitte Bardot
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Peter Hammill, Van Der Graaf Generator and what makes them unique
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Do all panned albums end up loved? And what’s the most significant record sleeve?
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Paul Kelly – ‘national treasure!’ – and the song that took 30 years
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